gillian wearing interview

Call Gillian … (1994). Our interview with Turner Prize winner Gillian Wearing OBE. And I change my mind about Gillian. May 7, 2018; As the figure of the suffragist is unveiled, Wearing picks apart her work on the giant bronze. “I have to act with my eyes, since they are the only parts of me visible, and each persona I capture needs a different approach,” she explains. And it had never occurred to me before because in the relationships I had with my friends it wasn't actually about talking so much, it was just a laugh.' Interview. Looks were very important to Gillian, when she was young. Gillian Wearing The most comprehensive book on the British artist's frank, affecting work. Bob here. The results were unexpected, and unexpectedly touching. Actually, she's turned her shyness into an asset, I think. So it's no surprise that when you first meet Gillian Wearing, YBA, BA (Goldsmiths), winner of the 1997 Turner Prize, you think: oh, she's dead normal. In a Harper's Bazaar interview ahead of ... the idea of having Anderson wear prosthetic teeth). Actors in police uniforms were filmed standing silently for an hour in Gillian Wearing’s installation, dividing the critics. 'It's all about death, isn't it?' When we get there, Gillian confesses that she likes funfairs so much that she persuaded Michael to go to one on their first date. But Michelle took even longer than Gillian to get ready. PHOTO: GILLIAN WEARING IN LONDON, OCTOBER 2012. Probably a good time to go through Gillian's history. I'd rather see the countryside in a film; I stay in the car when people go for walks.') Her statue of the suffragist Millicent Fawcett stands in London's Parliament Square. It's easy to understand, too, which is probably why it's appropriated by ad agencies; it draws on real life. She stayed in hostels and lived off Mars Bars. Her speech is scattershot: she says she feels as though we'd gone through a very intense experience. 'I actually was, I can talk a lot more now, but a few years ago I tried to talk, and I have changed a lot in my ability to talk, I couldn't just talk, talk to people, I've never been a great talker or just trying to think about, try to, try to be able to talk for many years. Sophie Risner. Turner Prize-winner Gillian Wearing produces candid videos and photographs revealing the disconnect between our inner lives and public personas, the individual and society, and truth and fiction. School wasn't going too well. Christine and Gillian became friends, went to Aston Villa football matches together. Wearing is an established British conceptual artist who came to fame during the prominence of the YBA’s. 'She stood out. In many of her works, Wearing creates zones and contexts that might offer expression and release. Gillian Wearing: Do You Feel You Know Me a Bit Now? But the recent crop of so-called YBAs (Young British Artists: Damien Hirst, Sarah Lucas, Tracey Emin, et al), while not exactly conventional, have always seemed more approachable, more understandable, less bohemian, isolated and disengaged from reality than the artist stereotype. Gillian Wearing CBE, RA (born 10 December 1963) is an English conceptual artist, one of the Young British Artists, and winner of the 1997 Turner Prize.In 2007 Wearing was elected as lifetime member of the Royal Academy of Arts in London. There's no hidden system: when she tries to find a video of the preparation she did for Dancing in Peckham , she spends a good quarter of an hour trying to locate it. There are 11 statues in Parliament Square. Wearing works in a wide range of media, always provocatively plumbing the most ordinary human dramas for their extraordinary, often ironic, content. Much has been made of the way in which Gillian Wearing’s work anticipated social media. One day, while they were wagging, they bumped into Gillian's dad: 'We were all dolled up: it was our punk phase, we must have been 14. Everyone has something special about them. 'In Goldsmiths, you had to explain why you were doing what you were doing,' says Gillian. Up until then, she was her own canvas. I like roller coasters, and we have a lovely time. No evidence of a DIY ethic: the sitting room is a teetering clutter of boxes and videos and magazines; the walls are grubby white. I always wanted a space like an office as I was a secretary before becoming an artist; I liked the comfort of offices. A powerful aspect of Wearing’s revelations is that they require a human presence. But then, perhaps she's hit her post-adolescent mellow period: 'I was put on report on my first day in secondary school. She recalls the hours she'd spend on white, pancake make-up, fussing with her unco-oporative hair, drawing lines around her eyes to make them bigger, squeezing into a ridiculous taffeta skirt so tight that 'I could only make fairy steps.' There's nothing particularly attention-seeking about her (unlike, say, Tracey or Damien): she seems a bit shy, though not unfriendly. YBAs get drunk and rowdy. About music (she hated Pulp's Common People, but loved their last, dark LP). She left school two years later with no qualifications. I'm transfixed by people that I see that do stand out, whether they want to or not. Then the car drops straight down, there's a flash of light and you hurtle into darkness, a strangely cold, wet darkness... until, just as it feels as though you really will have a heart attack, you level out, shoot round a corner and surface. We never know how Wearing coaxes her subjects into saying what they do, and, after all, they might be actors. A retrospective of Gillian Wearing’s work ran from March 28 – June 17 at London’s Whitechapel Gallery and following quickly on its heels will be an exhibition at K20 Kunsthallsammlung NRW in Dusseldorf (September 8 – January 6, 2013). It's simplistic, but you could say that Gillian's teenage years and passions eventually turned themselves inside out and became her work. She then photographed them holding their statements. Gillian Wearing came to international prominence as the winner of the Turner Prize in 1997, and also as one of the artists selected for Charles Saatchi’s exhibition “Sensation” that same year at the Royal Academy. And then, at 22, she managed to get a place on an art course, a B-Tech in Chelsea. “I’m Not an Assassin!”: Fran Lebowitz on Not Sleeping, Not Writing, and Not Naming Names, Elizabeth Olsen and Paul Bettany Test Their Real-Life Chemistry, Why We Could All Use a Tavi Gevinson Podcast Right About Now, Everyone, Including Fran Lebowitz, Loves Dolly Parton, Kyle Ng of Brain Dead Wants to Connect the World. Her dad, Brian, sold televisions; Jean, her mum, was a butcher; the family lived in a three-bedroomed house in Great Barr. Interview by . Sometimes, George would catch the bus with Gillian. You can see why she strikes up friendships with tramps and kids, how she can work with people whom others can't. She drinks hot Ribena; she talks about Big Brother. In terms of her personality, Wearing is a listener as opposed to a talker: "Around a dinner table I am the least anecdotal of people, and prefer listening; it's my trait, my vocation and what I love." Gillian herself appears very non-confrontational. During her time on The X-Files, Gillian dyed her hair red for the character, but when she reprised her role for The X-Files revival, she ended up wearing a … Gillian Wearing came to international prominence as the winner of the Turner Prize in 1997, and also as one of the artists selected for Charles Saatchi’s exhibition “Sensation” that same year at the Royal Academy. I hit a teacher.' She laughs, composes herself, takes a breath. 6 minutes, 55 seconds (loop). From there, she went to Goldsmiths, in 1987; two years behind the breakthrough Hirst Frieze year. She really, really loves roller coasters. 7 videos for framed plasma screens. Much has been made of the way in which Gillian Wearing's work anticipated social media. A Gillian Wearing exhibition at the National Portrait Gallery puts her work in dialogue with her largely forgotten Surrealist inspiration. She's like everyone else. ', I ask her which of her parents she thinks she's most like. From 14 September to 29 October, the Serpentine Gallery in Kensington Gardens will be host to a Gillian Wearing solo exhibition. This is what she says when she tries to explain. At the highest point of Oblivion, just before you make the screaming, vertical 60m plunge into the black hole of the earth, your seat tips forward so that you hang for a few seconds, facing the ground, contemplating the inevitable. 'Oh, I don't think anyone's ordinary,' says Gillian Wearing. Now, shy as she is, she will approach someone in the street just because they've 'got something about them'; talk to them, explain she's an artist, ask if they'd mind having their photo taken. Interview. Hi,Judy. Gillian and Michelle listened to music together, tried out make-up, began to bunk off school. They dress like your mates. Cos I'm actually quite a shy person, but I like seeing if you can be able to be more outrageous than you are, being able to be disinhibited, see if you can feel like not being so shy.'. Zoom Photographe : Gillian Wearing. The woman was out with friends, going clubbing, enjoying herself, entirely ordinary except for her white swaddling mask. I counted them. Gillian Anderson’s Beauty Secrets Revealed! It feels natural, moisturizing, smooth and silky and gives great coverage without making it feel like I’m wearing anything. Thanks for posting back.I also think that bending over a chair is a pretty ideal position really.Quite classic actually. Inspired by documentaries, reality television, and the artifice of theater, Wearing describes her … They stayed in the Alton Towers Hotel, but couldn't afford a themed room. There's no references. It's not to do with ideas at all, it's just the idea of talking really, just the talking about anything.' Gillian Wearing, Me as Cahun Holding a Mask of My Face, 2012. She then photographed them holding their statements. About the Turner Prize (she got very drunk, made 'a really embarrassing speech that no one could understand', went to the Atlantic Bar, and fell asleep; she didn't produce any work for about a year afterwards). The day after we meet, Gillian phones me up. She doesn't mind, because she herself finds it very hard to talk. Sometimes, when she lacks the courage to approach someone, she kicks herself for weeks afterwards. Interview. Gillian Clare Wearing was born on 10 December 1963, in Handsworth, Birmingham, the middle child of three - older sister Jainne-Ann, younger brother Richard. Call Gillian Version II’, Gillian Wearing CBE, 1994 Responding to an advertisement in Time Out magazine, a series of participants took up Wearing's offer to make their confessions on camera. She huffs and puffs all the way. A renowned artist who was aligned with the YBAs in the '90s, but whose work was more socially directed, the 48-year-old Wearing makes portraits through fragmentary imagery and texts that test the emancipatory potential of public address. A spot of prodding and Gillian spits it out. Why? In all senses: she hates talking about herself - 'I don't talk personally about anything with anyone. Gillian Wearing fait partie des YBA ou Young Britisih Artists, ce groupe de jeunes artistes sortis principalement du Goldsmiths College de Londres dans les années 90. ), she said in an interview with New Beauty. The one that everyone remembers is the young businessman whose sign reads, 'I'm Desperate', although I have a soft spot for the chap who displays, with some pride, 'I've thought about being a gigolo but I'm worried about the health risks'. I have a quick look: 'Oh, it's not finished yet,' says Gillian nervously. Words by Paola Paleari. Gillian Wearing: Family Stories “I’m so fascinated by our relationship with new technologies: how we adapt them to our need, and how they change us as human beings.” Gillian Wearing discusses social media, Danishness and rethinking the family model. In 2 Into 1 (1997), a pair of twins and their mother mouth works dubbed by each other. Artwork page for ‘‘I like to be in the country’’, Gillian Wearing CBE, 1992–3 Wearing’s photographs explore how the public and private identities of ordinary people are self-fashioned and documented. Jainne-Ann has a perm and a saucy look; Richard is pulling faces and giving the thumbs up. Too much perspective. One such occasion was when she spotted a woman with a bandaged face on a road in south-east London. Gillian Wearing discusses social media, Danishness and rethinking the family model. Gillian Wearing, interview with Cay-Sophie Rabinowitz Parkett No. There, she was forced to speak. Overall installed dimensions: 143.31 × 393.7 inches. The girls started to go to nightclubs (though 'we never drank. Gillian Wearing Interviews 8 October – 12 November 2005 Opening times Mon - Sat, 11:00 - 18:00 Bloomberg SPACE 50 Finsbury Square London, EC2A 1HD gallery@bloomberg.net Sunday 4th September, 2005 - Gillian’s House Sacha Craddock: I want to talk to you about your commission for Bloomberg SPACE. Critics have commented on the artist's fascination with other people's interior lives compared to her apparent lack of interest in her own, to which she responds "I wouldn't put myself in a work confessing as it is too self conscious. Kira Cochrane. Her statue of the suffragist Millicent Fawcett stands in London's Parliament Square. I never worked out if he'd actually recognised us or not.'. 17 mars 2014. Intrigued? 'It did really annoy me,' she says now. It was something to do with language and my inability to use it. Wikidata I know that you are a long way into it now; you have done so much research and preparation, … For years, still sometimes when I go to places I have to breathe to get my head lightheaded because I'm so nervous about, I can still have these kind of blocks where I can't, or if I do you can tell that I'm so nervous and what I'm saying is so bad. She studies it quizzically. Now, such people inform her work: Gillian's art is other people. Her new work takes this theme into the realm of an AI-created self-ad, made with advertising agency Wieden + Kennedy, which mimics the blurring of sincerity and manipulation that is rife in the way we present ourselves through social media. British-born photo, video and performance-based artist Gillian Wearing is best known for bringing home the 1997 Turner prize and her series of direct street portraits, Signs that say what you want them to say and not Signs that say what someone else wants you to say (1992-3). From Signs that say what you want them to say not Signs that say what someone else wants you to say (1992-1993) by Gillian Wearing “There was one person I talked to for about two hours,and he actually went through the whole history of his sex life,” she says. An undercover correspondent sending weird dispatches back from the frontline of the mundane. Don’t Worry, You Will Be In Disguise. We couldn't afford it'), places like Rumrunner, where pre-fame Duran Duran and Boy George hung out. Likewise, her selections’ subjects-members of her family, Claude Cahun, August Sander, Andy Warhol, and even herself at age 17-speak to the agony and ecstasy of self-presentation. Phaidon have a lovely book of Gillian's work: when I went through it, I thought she'd make a brilliant journalist, or documentary maker. In an interview with ACNE Paper, Wearing answered to the question ‘if there is a particular work of yours that comes closest to revealing the ‘real’ Gillian Wearing’: “No… we all have multiple selves and complex characters, there is no such thing as one defined real self, so no work can wholly represent me in … Michael Landy, my husband, has the downstairs space and we share the studio with our beloved Staffordshire Bull Terrier, May. 'Everyone's different. 'I saw it just before you arrived.' 'It is here somewhere,' she murmurs. Gillian Wearing We ask the artist about her favourite book, writer and work of art as well her thoughts on the most underrated— and overrated—cultural figures . You know that VW advert that shows a security guard, a harassed mother and others holding up a handwritten sign that says what they're supposedly feeling (the security guard's one says 'Sensitive', the mother's 'Sex Chocolate Sex Chocolate'). She won the BT Young Contemporaries Prize in 1993, the Turner Prize in 1997 and the Outreach Award at the Rencontres d’Arles Festival in 2005. Unusually, her shyness isn't hard work: she's very restful to be around. ('A city kid. As curator Erin O’Toole explained in an interview, “The lore of Arbus is something a lot of younger women artists of Wearing’s generation were attracted to.” Copyright © 2021 Interview Magazine. Turner Prize-winner Gillian Wearing produces candid videos and photographs revealing the disconnect between our inner lives and public personas, the individual and society, and truth and fiction. Gillian Wearing 'We need to approach life with the notion we are all mentally ill' Conceptual artist Gillian Wearing emerged in the 1990s as part of a bold generation of artists that helped define modern British art. Artwork page for ‘‘I’m desperate’’, Gillian Wearing CBE, 1992–3 The series of photographs called Signs... brought Wearing international recognition when it was first exhibited in 1993. Words by Paola Paleari Self Portrait, 2000 It is often surprising meeting people you are familiar with through images, both still and moving, as they never look quite as you imagine. Gillian was working for an insurance company, so her colleagues made her work the counter, just to see if she could speak. Ben Luke. Zoom photographe 2 commentaires. Gillian didn't talk to her, but found her so inspiring that she made a work, Homage to the Woman with the Bandaged Face I Saw Yesterday Down Walworth Road , where she wrapped her own face up in bandages and walked the length of the Walworth Road, filming people's reac tions. Interview by Waldemar Januszczak. Fine, but what? Gillian Wearing doesn't conform to the usual YBA stereotypes - she's shy, reluctant to talk about herself and loves a mug of hot Ribena. She calls Michael out of the kitchen, asks him what he thinks. Gillian Wearing CBE, RA (born 10 December 1963) is an English conceptual artist, one of the Young British Artists, and winner of the 1997 Turner Prize. Gillian Wearing on George Eliot: 'She spoke of life from every side' Jude Rogers. ', • Gillian Wearing, the Serpentine Gallery, Kensington Gardens, London W2 (020 7402 6075), from 14 September to 29 October Sponsored by Selfridges & Co in association with The Observer. They were just answers because that's what you're meant to do when someone asks you a question.' She says she thinks of much of her work as portraiture, but portraits where the subject has some personal voice, 'because it's too easy for a photograph to make people look like something they're not'. Language, schmanguage: Gillian stopped reading books at 14. She grew up closer to her mother (whom she describes as "loving and supportive") than her father, writing of their relationship: "There was a little bit of separation between my parents, though they didn't divorce until many years later. She reveals details of people that mostly remain hidden; she talks to people - down-and-outs, kids - who mostly pass unnoticed. Gillian Wearing continues her exploration of identity, fiction, reality and the mask presenting a series of new works on paper, board, sculpture and film. Her shyness is another important, though unseen, factor in her art. It's also not what I am interested in." It's vague territory. And it is chaos. says Gillian Wearing cheerfully, as we collect our souvenir picture. Gillian Wearing: In my studio, it sort of looks like an office with a very long table/desk, cabinets, a sofa and three office chairs. What do you look for? 'Courage calls to courage everywhere': Suffragist sculpture unveiled in London Gillian Wearing talks about creating the first statue of a woman—and by a female artist—in Parliament Square None of this may mean anything to you, but you'll have had a taste of Gillian's art, even if you've never been to one of her shows. She studied at Chelsea School of Art, London, 1985-7 and Goldsmiths College, London, 1987-90. Gillian had a haircut for each. Alton Towers, August 2000. “And the media would only portray certain people. Gillian Wearing: In my studio, it sort of looks like an office with a very long table/desk, cabinets, a sofa and three office chairs. She's barely recognisable. Interview. The British artist has long explored ideas around identity and the masks we wear. Yet, despite her look-at-me outer shell, she was a quiet, shy person, drawn to others, like Boy George, like Christine and Michelle, whom she considered more interesting than herself. She communicates her liking for you through subtle little gestures, funny snuffly laughter. Gillian Anderson donned a fat suit in order to portray prime minister Margaret Thatcher in The Crown.. You won the Turner Prize in 1997, looking back how do you feel winning the prize has effected you and your work? Contemporary Art. 'It's like I'm thinking more about my presence than I'm thinking about how you communicate.'. For an hour in Gillian Wearing: ' I 've always been a Bit a. Is an established British conceptual artist who came to fame during the prominence of the kitchen, room... Walked about 10ft away from us, stared straight through us a South shopping. Except for her white swaddling Mask effect on the British artist has long explored ideas around identity and the we... Rides, apparently the sitting-room wall has the downstairs space and we have lovely. But Michelle took even longer than Gillian to get ready only portray certain people. ', and... Want to or not. 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